Sharon Coleman is an artist, knitting addict, and homeschooling mom of 4 fabulous kids. You can see her work at cozycoleman.etsy.com and at kippahmitzvah.etsy.com
Since I have had so many inquiries about my popular rainbow style Ablet, I’ve decided to write a blog post as explanation, rather than typing the explanation over and over in convos on Etsy and emails to my site.
So here’s the dealie:
We ran out of the beads to make the Rainbow Ablet over 2 months ago.
My supplier ran out of the beads too, but assured me they were on order from India. 6,000 cases of beads arrived in NYC on June 6th. I only need one case!
They have, apparently, been held up in NYC customs since then. I call my supplier almost daily (I think they are starting to dread my calls). If anyone happens to know a NYC customs worker and would like to offer them a bribe, I will be most obliged.
Now, for my Etsy customers, here’s the situation:
I have a contract with a distributor (Creative Commodities) who are having the rainbow style manufactured in China for distribution to large retailers here in the USA. (Exciting, yes!)
IF my beads get out of customs where they have been held captive BEFORE my distributor gets their first shipment, then I will be able to sell a few more of that style on Etsy. We will make around 20 of them, but when those are gone, they are gone for good.
IF Creative Commodities get their shipment before I get my beads, then I will only be able to sell that style on my other site knittingabacus.com and that style WILL NOT be handmade by me, but will be handmade in China.
Am I making any sense?
It is a race against the clock.
The Chinese order is expected by the middle of next week. (July 26th-ish). I have no idea when NYC customs will release my beads, and it is possible that the Chinese order gets held in customs too… it’s all so darned complicated. But my contract with the distributor gives them exclusive rights to the Rainbow style and I will be buying it from them wholesale, essentially becoming a reseller of one of my own products. All my other styles will still be handmade by me and available on Etsy.
This picture shows a sample of what the Chinese version will look like and it will be available at knittingabacus.com and (hopefully) some big retailers both online and IRL. Cool the way they are stamping the word Ablet on it, huh?
So that’s the story in a nutshell as they say… Thanks for your patience. If you would like my facebook page, I’ll be updating there as soon as I know anything.
This was a very challenging project for me in many ways.
After my decision to restart with a black outline, I realized I was out of both black resist and silk. I quickly ordered more. Fortunately, Dharma Trading, where I buy all my silk supplies, has VERY fast shipping. My supplies arrived in less than a week. But meanwhile, my whole family had been hit with this awful flu that’s been going around New England this spring. A cough that has moved in and is building a permanent abode in each one of our chests. It knocked me flat for more than a week. It took some time before I could even look at the silk, let alone get started. In fact my package from Dharma sat, unopened, on my counter for days.
I finally stopped trying so hard, and as is the case with many things in life, when I let go and let God… well things just started to flow.Finally feeling almost human, I began work. But… as per my last blog post, the color swatch just didn’t seem to go with anything! Every color combination I picked was, at first, just awful.
… but in the end. WOW. I LOVE how it came out. I hope you do too.
It is one of my favorite Jewish symbols. A symbol of protection the hamsa is supposed to represent the hand of God. The stylized symbolic hand has been seen in many cultures throughout history including Middle Eastern religions and African cultures. For me personally, it is a unifying symbol. All humans regardless of race or creed have hands in common, after all.
The Atarah or “crown” of the tallis
“May my heart be opened, may my spirit become clear, as I envelop myself in the tallit.” which comes from The Book of Blessings .
This is the first kippah I made to go with the tallis. It is very pretty, but it is also a bit big; much more suited to an adult than a young bat mitzvah. I will list this larger one on my etsy site to be sold separately.
The next kippah is much smaller. A better fit, it will accompany the tallis.
Step 1: I print out my sketch on paper and piece them together with tape. This is one of the first steps in the process for every tallis I make. It takes about 22 pieces of paper for 1 tallis. The numbers aren’t part of the sketch, they just help me piece the whole thing together.
Step 2: Next I trace the outline onto the stretched silk with a water soluble marker.
Step 3: Then I go over the traced outline with gutta or water-soluble resist.
All of this was done in the evening.
My studio has fantastic light in the morning but is lacking in artificial light, so come morning I got a good look at the gold outline against the fabric swatch that my client sent. I didn’t like it. So I did some test swatches.
I have shown them here for folks to comment on.
The swatch in the background is a piece from the dress that will be worn.
It is a very challenging color to work with, a sort of grey taupe not quite purple not quite pink not quite beige not quite sure what color it wants to be.
It’s kind of like the mystery meat of the culinary students at RISD. You aren’t quite sure what it is, and maybe you’ll risk it, but maybe you’d rather not… Good thing I like a challenge 😉 Though I never could bring myself to brave the meat!
In case you were wondering… it turns out that hot fuchsia, burnt umber, black and a touch of cobalt blue softened with a whole lot of water makes mystery color #1.
Posted in other on March 19, 2012
Here are some sketches for a tallis for an upcoming Bat Mitzvah. I know, it means drastically switching gears… but I couldn’t resist, I do love making them.
Note: Click on the images to view larger.
This tallis would have a peach mottled background. The design would actually have to be worked backwards to what you see here, with the black hamsas done first. The white would then be drawn on with resist to prevent the dye from penetrating it. Then the whole tallis would be dyed a mottled peach. There would be a lot of subtle variation on the white hamsas which would be mottled and pale due to the process. The design has 18 hamsot (is that the plural of hamsa?) Each one would be different, and would be more my style of flowers and patterns. The ones shown here were just copied and pasted from the web (except for a couple that I drew myself)
The second sketch is more feminine and stylized with two larger Hamsot (I’ll just go with that). the visual elements would be outlined in gold resist. I may do them in black if the customer prefers, but it will significantly effect the feel of the piece, as black outlines will give it a heavier feel. I like the stripes as a visual element, but I don’t particularly like painting them! They are very hard to get on there straight, and will likely have variation in the line thickness.
A variation on the theme above, the Hamsot on this tallis have a floral print pattern. Again the stripes… what’s with that? I suppose it just doesn’t look tallis-like to me without them!I have outlined the elements here in black.
Looking at all three here, I think I should do one more with two simple black Hamsas on a peach background, like the first one, but without so many elements… I’ll wait for feedback from the customer though, as my backside has been glued to my computer chair all day and it’s gorgeous out.
It was my first thought when I walked in the door. I have never been to a Stitches conference before and I understand that this one was MUCH smaller than in years past, but I was still WOWed!
I was in attendance out of the kindness of one of my wholesale customers, Suzi at knittingranch.com . She invited me to tag along at her booth and bring my ABLETs. How could I turn that down? I had considered going on my own, but couldn’t figure it out what with having to be there all day every day for 4 days and a nursing baby and no help at the booth and the expense… and Suzi solved all my dillemmas in one fantastic phonecall!
So, as many of you know, preparations began in full swing. For about 3 weeks I glued and beaded and chained and packaged whenever I could. I had many dear friends offer their help. I ended up with about 100 to bring with me.
Well, to make a long story longer…
Friday: Ted stayed home from work to watch the baby. Rowan and I drove to Hartford early Friday Morning with my basket. Suzi had said she had a display so I needn’t bring one. Folks rummaged through my basket all day. Rowan worked hard, demonstrating how to use the ABLET and even up-selling for a conversion kit. I sold a few, not a lot, but enough to break even on my expenses. Comments were all very positive and enthusiastic and everyone seemed to think it was a really neat idea. Several people liked them enough to slip them discreetly into their bags when we weren’t looking. I was a tad discouraged. I knew a nice display would help, so I plugged through my exhaustion when I got home and slapped a display together.
Saturday: I wrote up a sign “Win an ABLET knitting Abacus drawings at 12:30, 2:30 and 3pm” We had a lot of people sign on to our raffle at that point. 3 times on Saturday an announcement was made over the loud speakers
“So and So you have won an, um… AB… ABLET, um… knitting… abb-ack- oos, please go to the Knitting Ranch, booth 204 to collect your prize.”
It was great for me, because people came over to see what it was all about. I had to demo over and over (no Rowan) and my throat was getting sore, but… By Saturday Afternoon, I heard “OH… so that’s the knitting abacus everyone is talking about.” WOW.
I managed to give a birthday present to Rick, one of the editors of Knitter’sMagazine. It wasn’t his birthday, btw, but my note that I left telling him I had a birthday present for him got his attention enough to get him over to see me 😉
The editor of Moo Dog Knits came over and took my picture. She said she’d call for an interview this week.
Sunday: While the marketplace was much slower, my sales steadily increased each day. I had to arrive quite late because of dropping the kids at Sunday school. When I got there, Suzi said a bunch of LYS owners had come over asking for my card and that a sales rep had also stopped by interested in talking with me.
By now, many folks new what I an ABLET was and were bringing their friends over and showing them how to use this great new tool.
Since things were a bit slower, I was able to go around and network a bit more. I spoke with several vendors who were all so supportive and enthusiastic. They shared details and ideas for my own booth (maybe next year).
I particularly liked Mocha’s Fiber’s booth, for a small 10X10 space, which is probably all I’d need. ABLETs are quite compact. Her hand painted yarns are exquisite, btw. If you knit, you must check them out!
I met a couple who travel the world going from yarn conference to yarn conference who have gorgeous silk ribbon. I bought some to use with my ABLETs and I’ve already made one up with it. I think I’ll be switching, as long as it doesn’t fray.
I even met a charming couple who were LYS owners all the way from Australia!
When the show was ending, I grabbed what was left in my basket and ran through the marketplace handing out freebies to any LYS owners who seemed interested. I probably gave away as many as I sold. It was such a fun and exhausting weekend. And I have Suzi to thank for it. She agrees, that all in all it was a terrific show for me. She told me that when I’m rich and famous I’d have to pay her booth fee.
Well, Suzi… now you have it in writing! What you did for me deserves a good turn. I hope your business is every bit as successful as mine… um, that is if mine’s successful, cause if it’s not that wouldn’t be a particularly good wish for you, now would it 😉
Posted in other on July 25, 2011
I started work on the tallis. First printing out my sketch and tracing it in pencil, then outlining it in gutta. Then I made a very, very stupid mistake and washed it before setting the gutta… All my outlines washed off, except, of course, the pencil which I can’t get out, because I didn’t use my water based pencil, but a graphite one instead… Don’t ask me where my brain was… I will use the excuse of a nursing toddler going through molars and a growth spurt and keeping me up at night. So the tallis is a bust, and I’ll have to start over. Good thing I buy the silk in bulk.
So in my frustration, I put it aside for a bit and went to work on a home improvement project I’ve been wanting to do for ages. Hetta picked out the fabric (with a little influence from mom) … I convinced her that the pink sequined butterfly satin would be too flimsy for a roman blind and possibly not go so well with the blue sky and clouds painted on the walls.I used this tutorial, and with a few minor changes, am very, very happy with it. Thank you for the excellent tutorial. I used washers instead of the brass rings, those darned things would have cost me almost $20 at $6 for 15 of them at JoAnne, and since I’d already spent more than I’d anticipated on the fabric… I bought 100 washers for $6 at Lowes and used those instead. They work just fine. The girls were so excited, that they wanted to help every step of the way, and even cleaned their room a bit.
I steamed the folds so they would lay flat when pulled up. The tutorial says they will eventually do this, if you fiddle with them every time you pull them up until the fabric “remembers” on its own… Well, I figured I’d help it along a bit, cause who has time for all that fiddling? Ya think the girls’ll do it? Ya, me either.
I have plans to do some in my bedroom too. I am also going to make some for my kitchen with a map of the world on it. How convenient will that be for the upcoming school year? A pull down map of the world in my kitchen… of course we’ll see how that fits into my hectic schedule. So far, I have a sketch done in illustrator, thanks to a free vector download of the world map.
But tomorrow and Friday are earmarked for tallis work if I can fit it in. My awesome, amazing, and thoughtful husband plans on playing hooky from work to take the kids to the “ocean beach” (as they like to call it) on Friday.
Oh, and signing off with this: My littlest has become very attached to his blanket. He takes it everywhere he goes. So far we have managed to convince him to leave it in the car when we go to the beach. I must admit, as an old blankey devotee myself, that I find this very endearing.
A new tallis is in the making. Bluebirds in Autumn…
These are the sketches I made for it. My customer prefers a bit of a background. I prefer the plain white background. I think I may adjust somewhere in between, a paler cream background so the birds and leaves still pop like they do on the white.
We’ll see how close it comes out… I’ll be working on it most of the day today while my husband watches the kids… he doesn’t know this yet, I’d better go break the news.
It’s been a while since I posted, mostly because I have been so busy finalizing my packaging and display for my newest obsession: The knitting abacus. The knitting abacus, or ABLET (ABacus braceLET) for those that don’t know is a uniquely designed row counter bracelet. My Patent Pending status came through a few weeks back and I’ve been busily trying to get all the loose ends tied to get marketing like a madman. The patent is due to the unique design in how this bracelet works. Much experimentation has gone into finding the perfect combination of beads and other materials. The beads slide on the string and stay where you put them until you move them. They don’t need to be manipulated through a loop. (Other row counting bracelets use a bead through a loop technique).
Of course, if you do know me, you know what an ABLET is because I’m driving everyone nuts talking about how much I love them and how I know absolutely anyone and everyone who knits or crochets is going to want one too! Maybe I’m being overly optimistic here, but I’m seriously thinking that this is as important as blingy stitch markers and fancy needle ends. Personally, I believe it’s up there on the list of must have knitting tool importance right next to calculators and tape measures.
So here’s a picture of my POP display. I’m pretty happy with it so far. I think it needs paint and some lettering or something to jazz it up a bit!
I have also been working on a new website where ABLETS can be ordered by the thousand, Ok by the hundred… or the dozen, ok fine, only get one, and then maybe another to give to your knitting friend for her birthday. knittingabacus.com.
What a learning curve that has been! And to think I went to school for this stuff. My site is built through wordpress, so that’s kinda neat. I’m using a shopping cart theme that seems to work pretty seamlessly with wordpress. They claim you can get your store up and running in under an hour… Or under a weekend, anyway!
Here is another design… “much sparkly” as my little one would say. It looks gorgeous on. I’ve been wearing it all day to test it out, and the beads still tell me that the date is the 2nd. Yep, I use mine to tell me the date when I’m not knitting (rarely), ’cause I’m just that ditsy sometimes.
I’ll try and post pics of my wood beaded ones tomorrow, but I’m taking the kids to the zoo, so I may not have time. We’ll see.
Last night I finished my most recent project: a design for an exhibit in Misouri Sponsored by ImaJewNation.
I love the concept of Hiddur Mitzvah and am completely awed by the fact that something that brings me so much pleasure and satisfaction can also be a way to praise G-d. I often get lost in the process so much so that time loses all meaning. The idea of reinterpreting the traditional inspires me. Silk painting is my newest joy and I am making more tallitot and other silk painted items all the time.
I delight in the idea that a person wraps themselves in my art while they pray. It seems a tremendous honor to have my work used this way. I like the idea of art serving a purpose other than merely decorating a wall (not that I have anything against that, mind you, I have plenty of art on my walls). But something about utilitarian art appeals to the pragmatist in me.
The exhibit, meant to explore “rivalries inherent in the world and how we can mitigate its hurts” was an instant inspiration for me. As is my nature, I focused immediately on the positive aspect: “Tikkun Olam in a Chalah Cover”. If only we could let go of all the ridiculous boundary wars and oil wars and war wars and simply sit together as friends, share bread; accept our differences.
Sometimes an image comes clearly and easily to mind. I immediately pictured hands in a circle of prayer. It reminded me of the tradition of touching the challah while saying the blessing. I wanted to incorporate other meanings, not only acceptance of all nations, but also all creeds, faiths, and lifestyles. So, rather than painting the hands in various skin tones, I chose rainbow colors. The details were inspired by the Indian custom of painting hands with Henna. They are all different to represent the many cultures of the world.
The floral motifs that are so often found in my work are elements that have been with me since childhood. My elementary school textbooks are covered in them. They grew more bold and tropical during my high school years (spent inFlorida). And now, I find that New England has influenced many autumn flavored designs. It is something that flows from me unbidden like much of my work. I let go and let G-d.