Archive for category silk painting
This was a very challenging project for me in many ways.
After my decision to restart with a black outline, I realized I was out of both black resist and silk. I quickly ordered more. Fortunately, Dharma Trading, where I buy all my silk supplies, has VERY fast shipping. My supplies arrived in less than a week. But meanwhile, my whole family had been hit with this awful flu that’s been going around New England this spring. A cough that has moved in and is building a permanent abode in each one of our chests. It knocked me flat for more than a week. It took some time before I could even look at the silk, let alone get started. In fact my package from Dharma sat, unopened, on my counter for days.
I finally stopped trying so hard, and as is the case with many things in life, when I let go and let God… well things just started to flow.Finally feeling almost human, I began work. But… as per my last blog post, the color swatch just didn’t seem to go with anything! Every color combination I picked was, at first, just awful.
… but in the end. WOW. I LOVE how it came out. I hope you do too.
It is one of my favorite Jewish symbols. A symbol of protection the hamsa is supposed to represent the hand of God. The stylized symbolic hand has been seen in many cultures throughout history including Middle Eastern religions and African cultures. For me personally, it is a unifying symbol. All humans regardless of race or creed have hands in common, after all.
The Atarah or “crown” of the tallis
“May my heart be opened, may my spirit become clear, as I envelop myself in the tallit.” which comes from The Book of Blessings .
This is the first kippah I made to go with the tallis. It is very pretty, but it is also a bit big; much more suited to an adult than a young bat mitzvah. I will list this larger one on my etsy site to be sold separately.
The next kippah is much smaller. A better fit, it will accompany the tallis.
Step 1: I print out my sketch on paper and piece them together with tape. This is one of the first steps in the process for every tallis I make. It takes about 22 pieces of paper for 1 tallis. The numbers aren’t part of the sketch, they just help me piece the whole thing together.
Step 2: Next I trace the outline onto the stretched silk with a water soluble marker.
Step 3: Then I go over the traced outline with gutta or water-soluble resist.
All of this was done in the evening.
My studio has fantastic light in the morning but is lacking in artificial light, so come morning I got a good look at the gold outline against the fabric swatch that my client sent. I didn’t like it. So I did some test swatches.
I have shown them here for folks to comment on.
The swatch in the background is a piece from the dress that will be worn.
It is a very challenging color to work with, a sort of grey taupe not quite purple not quite pink not quite beige not quite sure what color it wants to be.
It’s kind of like the mystery meat of the culinary students at RISD. You aren’t quite sure what it is, and maybe you’ll risk it, but maybe you’d rather not… Good thing I like a challenge 😉 Though I never could bring myself to brave the meat!
In case you were wondering… it turns out that hot fuchsia, burnt umber, black and a touch of cobalt blue softened with a whole lot of water makes mystery color #1.
A new tallis is in the making. Bluebirds in Autumn…
These are the sketches I made for it. My customer prefers a bit of a background. I prefer the plain white background. I think I may adjust somewhere in between, a paler cream background so the birds and leaves still pop like they do on the white.
We’ll see how close it comes out… I’ll be working on it most of the day today while my husband watches the kids… he doesn’t know this yet, I’d better go break the news.
Last night I finished my most recent project: a design for an exhibit in Misouri Sponsored by ImaJewNation.
I love the concept of Hiddur Mitzvah and am completely awed by the fact that something that brings me so much pleasure and satisfaction can also be a way to praise G-d. I often get lost in the process so much so that time loses all meaning. The idea of reinterpreting the traditional inspires me. Silk painting is my newest joy and I am making more tallitot and other silk painted items all the time.
I delight in the idea that a person wraps themselves in my art while they pray. It seems a tremendous honor to have my work used this way. I like the idea of art serving a purpose other than merely decorating a wall (not that I have anything against that, mind you, I have plenty of art on my walls). But something about utilitarian art appeals to the pragmatist in me.
The exhibit, meant to explore “rivalries inherent in the world and how we can mitigate its hurts” was an instant inspiration for me. As is my nature, I focused immediately on the positive aspect: “Tikkun Olam in a Chalah Cover”. If only we could let go of all the ridiculous boundary wars and oil wars and war wars and simply sit together as friends, share bread; accept our differences.
Sometimes an image comes clearly and easily to mind. I immediately pictured hands in a circle of prayer. It reminded me of the tradition of touching the challah while saying the blessing. I wanted to incorporate other meanings, not only acceptance of all nations, but also all creeds, faiths, and lifestyles. So, rather than painting the hands in various skin tones, I chose rainbow colors. The details were inspired by the Indian custom of painting hands with Henna. They are all different to represent the many cultures of the world.
The floral motifs that are so often found in my work are elements that have been with me since childhood. My elementary school textbooks are covered in them. They grew more bold and tropical during my high school years (spent inFlorida). And now, I find that New England has influenced many autumn flavored designs. It is something that flows from me unbidden like much of my work. I let go and let G-d.
I have a customer interested in a custom tallis. I just realized that there isn’t an easy place online to see my finished (and sold) works. So, by special request, here is a quick gallery of previous projects.
My very first Tallis. This tallit has 18 butterflies hand drawn and painted adorning a pale peach mottled background. The stripes across the bottom are teal. Still one of my favorites.
I promised the customers (some dear friends of mine) that I would never make another that was exactly like this one. Of course, that isn’t possible anyway, due to the nature of the medium. I could make a similar one, but none identical.
I have since made two other butterfly tallesim in yellow:
Here you see my “Four Matriarchs” tallis. I have made two in blue, one darker and one lighter. Both have sold. I still have the design which can be made in any color range.
I have made several “Birds on a Wire” Taleisim. This is my most popular style. I originally designed it for my own son for his Bar Bitzvah.
Some of these orders have had custom atarot (the band around the collar is called an Atarah). Most have the traditional prayer.
The tree is often used as symbolism in Judaism for Torah and our celebration of life. I was commissioned to make a Tallis for a bat mitzvah who loved this symbolism:
I have even made a “Cow Tallis” for a dear friend of mine who is a cattle farmer.
As you can see, I accept requests for just about anything… although I must draw the line at pigs 😉
All of my talleisim come with a matching or coordinating kippah and bag and can be purchased through my Etsy shop at kippahmitzvah.etsy.com.
If you don’t see what you are interested in, please convo me on Etsy or email me at kippahmitzvah@hotmail. com
The day before valentines day I received an order for a tallis. A delightful customer is buying herself a birthday present! Which, incidentally is only three weeks after mine! I just celebrated my 40th birthday too! I have documented the process below.
Step 1) I start with finalizing any design elements. For this design, that usually only involves the atarah. A tallis traditionally has an “atarah” or “crown” with a Jewish prayer on it. These days many folks chose not to use the more traditional prayer.
This customer has chosen a less traditional but more personally meaningful prayer from The Book of Blessings .
יפתח לבי תזדכך נפשי בהתעטפי בטלית
May my heart be opened, may my spirit become clear, as I envelop myself in the tallit.
It took some time and a couple emails to our Synagogues new part-time Rabbi Susan Elkdosi (congratulations Susan) but she quickly found the Hebrew for me, so I could avoid any typos!
I manipulate the Hebrew on the computer for size and font, then I print it out, tape it together and get to work!
Step 2) I wash the silk with synthrapol to remove any oils or sizing that may be there.
Step 3) Then I iron a piece of freezer paper on each end to stabilize the fabric. I don’t need to stretch the silk for this particular design. Since the pigment goes on very dry, the freezer paper is adequate.
Step 4) Then I tape my template to my workspace and start taping the lines for the wire. I do this in several sessions waiting for the paint to dry between overlapping lines. Sometimes I speed the process along a bit with my trusty hairdryer. This is why anyone in my family who wants to dry their hair has to first go rummaging through my studio! I rarely use it for my hair, which I am content to let nature take care of… probably why it’s always so frizzy!
Step 5) While the lines are drying, I paint the atarah. I know Hebrew is written from right to left, but since I am right handed, I find I save a lot of smudges and re-dos if I paint it in backwards. I tape the computer printout of the prayer under the pre-sewn atarah and use a makeshift light table to see the letters below. The brush I use for this is tiny. It takes a steady hand, so my children are all trained to STAY AWAY from Mommy when she’s painting a Tallis!
Step 6) I paint the birds in the same way. I also paint a couple birds on the bag (shown on the towel in this picture) . I decided to omit the wires on the bag this time. I thought it was a nice touch to just have the birds flying around the bag, waiting to land on the tallis. The paint is navy blue jacquard silk paint. It came out very dark navy. It looks black in these pictures, but really is navy blue!
Step 7) Then I sew the pieces together. This includes the atarah, the tallis bag and the corner pieces. I sew an eyelet hole in the middle of each corner for tying the tsitsit. (The sewing details will be the subject of another post.)
All that’s left to do on this tallis is making the fringe on the bottom, and tying the tsitsit on. This tallis will come with a coordinating wool kippah. Hopefully all will arrive in time for the customer’s birthday.
First I trace the image onto the back of freezer paper (the un-waxed side) I make sure I reverse the image when I do this, so it will come out the right way when I iron it onto the silk.
After I’ve ironed the freezer paper on, I trace the image onto the silk with resist. This stops the dye from flowing from one section to another. I like to use a paintbrush for this, most folks use a special applicator bottle, but I find the brush works nicely and doesn’t glob like a bottle does. When the resist has dryed, I remove the freezer paper and
hold the silk up to the light to make sure there are no gaps in the lines. If there are any obvious gaps, I touch them up. Then I paint the whole image with plain water to be sure I haven’t missed a spot. If any bleeding shows through, I touch up again with resist. Lather, rinse, repeat until all gaps are thoroughly sealed. This may seem time consuming, but it saves a world of headache in the long run.
Then I filled in the figures with clear, water soluble resist so I could paint the background without fear of messing interfering with the colors later. I then painted in the background freely using logs of salt and splattering. It was very messy and loose and fun. I used silk paints (rather than dye) for this project.
When the background was thoroughly dried and cured, I washed the silk with synthrapol (to prevent back dyeing), ironed it dry and filled in the figures. This was a much more controlled process, a bit like coloring in a coloring book. Again, once the paint was dry I ironed it to cure it then washed again. When all the components of the tallis are complete, I then sew the corners and atarah on, make an eyelet hole on each corner and then tye the tsitisit.
With most of my commissioned works, I like to make two. This allows my customer to be happy and takes the pressure off me as far as trying to be a mind reader and guess what the customer is envisioning. The customer gets their choice between the two, and the second goes for sale in my shop.
The first has a dark blue atarah and corners which contrast nicely with the background. The customer ultimately picked this one.
The second has a lighter atarah and corners that blend in with the background. This one sold about a month later.